Florence transformed the world during the Renaissance, and the evidence is everywhere on foot — which is how we spend today.
We begin at the Uffizi, Giorgio Vasari's 16th-century administrative building for the Medici that now houses Italy's greatest art collection. Our guided tour moves through corridors lined with Botticelli, Leonardo, Raphael, Michelangelo, Titian, and Caravaggio — each room a landmark in the story of how European painting learned to see. The collection's centrepiece is Botticelli's Birth of Venus, painted around 1485: the goddess emerging from the sea on a shell, the nude female form celebrated as beauty itself rather than shame, classical antiquity reborn in Florentine paint. Before leaving, the gallery offers a window with a view directly over the Ponte Vecchio — a good moment for the guide to tell its story without losing anyone to the gift shop.
Outside, Piazza della Signoria functions as an open-air sculpture museum — Cellini's Perseus, a copy of Michelangelo's David, the Loggia dei Lanzi — the civic heart of Renaissance Florence, where political decisions were announced and occasionally enforced in public. En route to the Accademia we pass the Mercato del Porcellino, where a bronze boar's snout has been rubbed smooth by centuries of hands seeking good luck, and where a less celebrated spot beneath the market stalls once served a more humiliating civic purpose: the public paddling of Florentines who failed to repay their debts.
At the Accademia, Michelangelo's David needs no introduction and rewards no rushing. Seventeen feet of marble carved from a single block by a 29-year-old, it remains the Renaissance's fullest statement of human potential — and the room that contains it, with four of Michelangelo's unfinished Prisoners lining the approach, is one of the great theatrical spaces in art.
After lunch we pass the Cathedral of Santa Maria del Fiore — Brunelleschi's dome examined from the outside, the full complex saved for tomorrow — before continuing to Santa Croce, the Franciscan church that serves as Florence's pantheon. Michelangelo is buried here, as are Galileo, Machiavelli, and Rossini. The Pazzi Chapel in the first cloister is Brunelleschi's most perfect small building.
A gelato stop near the square closes the afternoon before free time returns the city to you.
Overnight in Florence.
 
Included Meal(s): Breakfast and Dinner